+-----------------+-------+
 |      4 NPS      | 3 NPS |
 +--------+--------+-------+
 |  1234  |  3124  |  124  |
 |  1243  |  3142  |  134  | 
 |  1324  |  3214  |  142  |
 |  1342  |  3341  |  143  | Play as Chromatics (as fingered + hole steps, 1 and 1 1/2 step)
 |  1423  |  3412  |  214  | Picked and legato
 |  1432  |  3421  |  241  | 
 |  2134  |  4123  |  341  |
 |  2143  |  4132  |  341  |
 |  2341  |  4213  |  421  |
 |  2314  |  4231  |  412  |
 |  2413  |  4321  |  431  |
 |  2431  |  4312  |  413  |
 +--------+--------+-------+

Take all diatonic scale 3NPS shapes and do the Cooley variations...
123,132,231,213,321,312


- "supportive fingering" exercises, as well as those spider-finger type exercises
- zig-zag patterns
- interval patterns (3rds, 4ths, etc) - all shapes of diatonic, harmonic minor, gypsy minor
- those ascending and descending groups of 3,4,5,6
- 313 pentatonic shapes (individually and connected, zig-zags)

- find new arpeggio shapes to play tapped my standard way as well as Takaski tapped style



Chunking
- Both learning things in small chunks
- Using anchor points when playing too fast to count subdivisions.

Synchronization of the hands

Left-Hand (general)
- Finger independence
- Endurance (lengthy all down, all up, alternate)
- Less motion
- Cleaner and faster
- Reverse hammer-ons
- Relaxed hands
- Bends that are accurate and on pitch
- Vibrato wide and even, slow it down, but be able to do a fast one too.

Picking
- Relaxed and clean
- Endurance
- Focus more on economy for speed

Sweeping
- Fret hand: Keep rolls and switching strings cleaner and more accurate
- Right hand: Work on slanting to make picking easier

Theory
- Chord and arpeggio construction
 - triads: maj, min, dim, sus2, sus4
 - sevenths: 7, maj7, min7
 - 9ths, 11ths, etc

Playing over chord progressions
- outlining chords
- modal thinking
- identifying keys quicker based on chords

Rhythm
- Playing in time
- Syncopation
- Metal Gallops
- Those triplets that are like 1 (+) a (2) + (a) 3 (+) a (4) + (a)
- Uneven divisions like 5,7

Tapping
- Akira Takasaki style tapping


away from the guitar
- finger/hand exercises
- ear training
 - use online interval trainer
 - when listening to music try to listen to intervals, etc
 - singing intervals
- thinking about rhythms
 - tap them out wherever
 - tap foot along with whatever music i'm listening to



Specific licks
- Kotzen sweep lick (sweep)
- Jason Becker solo/Go Off! lick (sweep)
- Jason Becker Serranna (sweep)
- Michael Angelo licks (alternate picking)
- Akira taps

variations of 3 notes

- standard triplet = 1 trip let
- triplet with a gap = 1 (trip) let
- triplet dropped frist (1) trip let
- triplet dropped last 1 trip (let)
- also never grasped those triplets that are 1 (trip) let (2) trip (let) 3 (trip) let (4) trip (let)

sixteenth varions
- 1 ee and uh
- 1 (ee) (and) uh
- 1 (ee) and uh
- 1 ee and (uh)
- 1 ee (and) uh
- (1) ee and uh
see if there's more, but that's a good start

5's and 7's

switching between the various subdivsions